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This is from the introduction: "Whispers of the Jinn" is a Grimoire that has been prepared in many cycles of intense research and development, with a dedication to the Arabic traditions that cultivated the lore and methodology to Iblis and the Jinn. My focus of Sihr is determined upon the metaphysical framework of the Quintessence of Luciferian Magick as manifestation of one’s True Will." "From the root ‘ janna’, meaning, ‘to conceal’, does ‘jinn’ derive; the very essence of the term of ‘occult’ and initiation into the magical arts of old and new. The Jinn are inspiring spirits of smokeless fire; those who are both bestial and nearly angelic in a small sense of divinity by this transforming, invisible fire. The living grimoire is a work which uses instructive texts, outlines methods in which spirits may be invoked or evoked; spells may be cast and the Great Work that is Magick and Sorcery may be performed. The Jinn are identical in essence to the western concept of Demons, the difference being the culture of which myths and magical traditions have been formulated." This grimoire is truly a work which is what Sufi poet and philosopher Ibn ‘Arabi (1165–1240) would identify as barzakh, from the Quranic expression of, “what is between the two”. As a book containing a meeting point between the two realms identified in the Quran: the unseen and visible, or heaven and earth. Within these two aspects within the cosmos, this includes the world of spirits and the world of physical bodies. As the path of the daemonic so enveloped in the masks of the Jinn, the path to power and wisdom is found at the crossroads, or in-between. This grimoire is dedicated to the cultus of Iblis, known also as Azazil and Shaitan, along with the Four Elders and Seven Jinn Kings. A historical, mythological, esoteric, and a modern study of Arabic black magical devotionals evoking the jinn of both malicious and beneficial energies. The Black Adept embraces a liminal crossroads of the Sufi concepts of the Imaginal and the Terrestrial. "Whispers of the Jinn - Arabic Black Magic" by Michael W. Ford is available in Hardcover, Softcover, and Digital (Kindle) editions. Visit luciferianapotheca.com

Ancient creation myths including the Zoroastrian (from the Bundahishin) and Zurvanite religious tale of Ahriman's entry into the world, his creation of the daevas, so bringing strife and (from a Luciferian point-of-view) balance to the world in opposition to Ahura Mazda, the Amesha Spenta, the ArchAngels or lesser deities that were balanced by the ArchDaevas. This is a simple intro into this fascinating tradition, presenting how myth and the Adversarial narrative is actually a point of magical-mystical foundation for the Luciferian and modern Yatus (sorcerer, he or she who offers incense and libations to the daevas), Daevayasna (demon-worshipper) as to motivate inner-strength, strife-conflict to temper upon the forge of the Adversary; thus, individual potential via initiation. The book, DRAUGA - Ahrimanian Yatuk Dinoih by Michael W. Ford is both a grimoire and the basic historical / mythological origins and descriptions of the cultus of Angra Mainyu (Ahriman), the legions of Daevas, the syncretic Persian deity Ahura Mazda (Ohrmazd), the Amesha Spenta (archangels), and the balance found by symbolic understanding of syncretism of Hellenistic, Eastern Roman, Armenian, and Persian streams of Zoroastrianism and the heresies of Manichaean and Zurvanite practices. Obtain a copy of DRAUGA here: https://luciferianapotheca.com/collections/michael-w-ford-books-1/products/drauga-ahrimanian-yatuk-dinoih-by-michael-w-ford-soft-hardcover The books BIBLE OF THE ADVERSARY, LIBER HVHI, and AHRIMANIC YOGA also present practical applications of formulating a metaphysical framework in the initiatic ritual magick of Yatuk Dinoih, translating as 'witchcraft', that the sorcerer offers to the daevas, summons the energy that conceptualizes these Deific Masks, and opens potentially a Ahrimanian Gnosis balancing the Bronze Age Indian RIG VEDA and the Persian demonology equally as beneficial. To practice Yatuk Dinoih is to utilize a mytho-magical gnosis of primal sorcery to embrace Adversarial (antinomian or spiritually lawless type of Theurgy) spirits to attain power via the Luciferian Triad of the Morning Star, being Liberation, Illumination, and Apotheosis. Daevas and Ahriman ritual décor and tools including Altar Cloths are available here: https://luciferianapotheca.com/collections/altar-cloths For the dark ambient ritual music of AKHTYA, with several albums dedicated to the Ahrimanian Cultus of Yatuk Dinoih and the Daevas, including several CDs (also with collaborations with CORONA BARATHRI) may be found here: https://luciferianapotheca.com/collections/ritual-musick Akhtya's Bandcamp (the digital release of DUSHMATA is dedicated to the cultus of daevayasna) will reveal some dedicated, authentic, and darkly haunting ritual ceremonies as music here: https://akhtya.bandcamp.com/

This is a short ritual invocation by Michael W. Ford performing the Ceremony, "Cathedral of the Devil" from the grimoire, "Infernal Union". Michael uses a method of rhythm induced images that act as an inspiring representation of the imagination towards opening the Gate of the Abyss. From the methods of the ritual postures, artistic flashes of illustrations from "Infernal Union" and "Bible of the Adversary", with a dark atmosphere of hypnotic ambient sounds by Akhtya (https://akhtya.bandcamp.com/), Michael recites the Ritual text from the grimoire to honor the Luciferian Spirit of the Antitrinity.
This is a type of black magical short film that is intend to inspire and provide almost surreal images tinted in red to represent the fiery essence of creation and destruction, The Adversary (Samael & Lilith).

The use of the Goat-demon represents earthly embodiment and the Luciferian as seeking balance and self-mastery via this affirming veil represented by the verses of this ritual.

The book "Infernal Union - Sinister Initiation & Satanic Psalms" by Michael W. Ford has been published and is available in Soft, Hardcover, and limited deluxe editions from Succubus Productions Publishing (Luciferian Apotheca) and Manus Sinistra Publishing.

In this video, we're going to be looking at the Babylonian and Sumerian Demons in Magick. We'll be discussing their properties, how to summon them, and some of the spells that can be performed using them. Ancient Sumerian and Babylonian demonology and sorcery from the Bronze Age through the early Christian period holds many different traditions and metaphysical frameworks for the workings of magick. This video explores briefly the modern interpretation and adaptation of Luciferian practices. Lamaštu and Pazuzu including the Seven udug-hul and how balance is applied to invoking these ancient spirits within modern context of initiation via the Left-Hand Path.

What is Luciferian Witchcraft and what ritual tools do you need to practice Luciferian Witchcraft and Magick in General?

In recent years, Luciferian philosophy (along with other schools of thought) has explored and identified creative and positive elements from concepts of demonology, black magick and traditions including the Qliphoth. Let us look at two separate yet meaningful traditions from Hebrew Qabalah and Persian demonology via Zoroastrianism. Both have bounteous streams of infernal currents which bring, in perspective, balance between the cycles of creation and destruction internally.